+

Say Everything
(with Flowers)

By Daniel Wuebben


Published:

Handling a bouquet produces a certain pleasure that begs—often shamelessly—for metaphor: Against your chest like a flag of virtue or snug in your bent elbow like a sleeping baby. Beyond the poetic imaginings of the deliverer, giving someone flowers is an act meant to convey a message.

FTD—the largest flora delivery network on the planet—encourages customers to “Say it with Flowers.” Judging from the company’s website, it is relegated to “Happy Birthday,” “Sympathy/Funeral,” “Congratulations,” and the like. The rose is the cardinal figure of FTD’s international flower dialect, but their vocabulary also includes tulips, lilies, and carnations—even a heart-shaped bamboo stalk.

Say Anything (with Flowers) by Aya Yamasaki

Flowers are the vehicle to our emotional tenor, yet the modern bouquet and its compulsory card convey merely vague and sentimental messages that do not begin to reflect the subtleties of affections, let alone the words and poetry we might attach to each thorn, stem, or petal.

Roses infer warm affections; they do not say, “Your beauty exceeds that of these flowers.” As it turns out, that particular message requires a bouquet signifying #273: Germanium, Heliotrope, and Calceolaria.

The key is hidden within a forgotten Victorian novel published anonymously in 1836, The Floral Telegraph; or Affection’s Signals. The book has a gilded hardcover with flax-colored vines twirling about the corners and lengthwise down the spine; inside it contains a table of 120 flowers and a vocabulary with thousands of phrases. Together, the table of flowers and vocabulary allow floral telegraphers to transmit nuanced messages. In fact, the code, “a substitute for the dangerous use of the pen,” according to its inventor, does not only promise to say it with flowers, but to say anything with them.

Say Anything (with Flowers) by Aya Yamasaki

For instance, #108 conveys, “To your beauty I surrender myself.” The phrase is signified by combining a flower that corresponds to the digit 1, narcissus 0, cypress, and 8, lavender. The three flowers are then tied by a silk thread with three knots before and after the flowers to direct the receiver to the third section of the vocabulary (both sender and receiver must have a copy of the book). When the bouquet is  delivered, the recipient decodes the floral telegraph message.

While the tedious task of collecting, coding, and decoding flowers never caught on in the 19th century, the impulse toward flowers and other organic, ephemeral forms of communication may appeal to those 21st-century citizens worried about identity theft and secret surveillance programs. For me, the beauty of the floral telegraph is revealed in the way its grammar allows specific, touching phrases (e.g., #265: “How beautiful are your eyes!”) to be composed by seemingly banal specimens (daisy, fennel, larkspur).

Say Anything (with Flowers) by Aya Yamasaki

Say Anything (with Flowers) by Aya Yamasaki

These images, created by Aya Yamasaki, are contemporary illustrations of bouquets and phrases found in this rare, yet-to-be-digitized book.


Daniel Wuebben is an aficionado of power lines, clean waves, and Jorge Luis Borges. He holds a PhD in English from the City University of New York Graduate Center and teaches in the University of California Santa Barbara Writing Program.

 

Aya Yamasaki is a graphic designer and illustrator living in Los Angeles, California. She recently worked with Adult Contemporary, created a line of fabric jewelry for Homako, and released her own stationery line “Hello Ayasaki.” She can be found online at ayasaki.com.

Uptons Naturals

People MAKE this happen

click to see who

MAKE Magazine

Publisher

MAKE Literary Productions

 

Managing Editor

Chamandeep Bains

 

Fiction Editor

Kamilah Foreman

 

Nonfiction Editor

Jessica Anne

 

Poetry Editor

Joel Craig

 

Intercambio Poetry Editor

Daniel Borzutzky

 

Intercambio Prose Editor

Brenda Lozano

 

Latin American Art Portfolio Editor

Alejandro Almanza Pereda

 

Reviews Editor

Mark Molloy

 

Art Portfolio Editor

Sarah Kramer

 

Creative Director

Joshua Hauth, Hauthwares

 

Web Design

Johnathan Crawford

 

Proofreader/Copy Editor

Sarah Kramer

 

Associate Fiction Editors

LC Fiore

Kerstin Schaars

 

Contributing Editors

Kyle Beachy

Steffi Drewes

Kathleen Rooney

 

LIT & LUZ FESTIVAL, 2016-17

 

Managing Director: Nuria Sheehan
Co-directors: Sarah Dodson and Brenda Lozano
Associate Artistic Directors: Daniel Borzutzky, Joel Craig, and Ireri Rivas
Media Director: Jennifer Patiño Cervantes
Production and Logistics: Stephanie Manriquez

 

Sound and Vision: Charly Garcia

_________________________

MAKE Literary Productions, NFP

Co-directors, Sarah Dodson and Joel Craig